Great for War Films, Crime, Urban Fashion. Modelling the Bleach Bypass process for strong contrast and low saturation.Īggressive, gritty look - halfway between black and white and colour film. Shot on: Munich, War of The Worlds, Crash LUT 6) ‘Bleach’ - Modelled on Fujifilm Super F 8552 Greens are cool and rich, skin is golden, blues skew turquoise and modern, colour accurate yellows compared to Kodak. My go-to for Fashion and Beauty but can work with almost anything. Rich but not overpowering colours and saturation characteristics. Overall smoother contrast and rolloff compared to Kodak. Shot on: Captain Phillips, Wall Street: Money Never Sleeps, The Butler LUT 5) ‘Eterna’ - Modelled on Fuji Eterna 8563 Overall lift in saturation and contrast compared to ‘Vision’ but still balanced.Ĭan elevate a dull scene with its look but not overpower a rich scene. Greens are slightly warmer, blues slightly turquoise and skin more golden.

LUT 4) ‘Vision Teal’ - Variation on Kodak Vision 5274 (LUT# 1) Modelled on the Re-Graded versions of classic films from 70s & 80s Greener in cast than the more magenta original Eastman 5247

LUT3) ‘Eastman RM’ - Variation on Kodak Eastman 5247 (Introduced Jan 2022)Ĭlassic Eastman Look but modernised (Orange & Teal) Greens skew warm, blues slightly turquoise, gold/pink skin-tones. Saturation strongest in mids and falls off in shadows and highlights. Shot on: Apocalypse Now, Bladerunner, Alien, ET LUT 2) ‘Eastman’ - Modelled on Kodak Eastman 5247 Skews green in shadow areas and when underexposedĬlassic film character but less stylised than any other stock Gentle roll off and rich, smooth fall off in shadows Strong contrast and filmic subtractive colour model in saturation The most colour accurate stock with accurate blues, slightly cool greens, accurate skin tones which slightly skew pink/gold Shot on: The Matrix, Lord of the Rings Trilogy, Gladiator LUT 1) ‘Vision’ - Modelled on Kodak Vision 5274 The emulations are based on my own research and subjective impressions of the film stocks listed.

The ‘Film Look’ LUT Pack contains 6 LUTs inspired by real film stocks designed to give your S-Log Footage the Film Look. It’s my personal take on what Utopia would look like. LUT 5) Utopia - the most filmic look of the LUTs, with blood red reds and filmic blues and greens. LUT 4) Jamaica - Green and gold cast - distinctive, rich, filmic greens and beautiful golden skintones. LUT 3) Ice Blue - Blue, colder cast with punchy, deep blues (looks amazing on subjects with blue eyes). LUT 2) Tungsten - A slightly warmer golden cast designed to be utilised for subjects bathed in tungsten light. LUT 1) Neutral - A neutral ARRI look - no colour cast or 'look' - just the classic ALEXA Rec709 look developed for my Fs7 alongside my ARRI Amira. As well as the ‘Neutral’ LUT which emulates ARRI’s ALEXA Rec709 LUT, there are 4 other stylised LUTs included.ġ) An organic, smooth and gentle highlight roll-off that mimics Alexa in it's highlight rendering to give an overall organic and naturalistic feel to the footage.Ģ) Natural skin tones designed to render contrast levels on skin like an ARRI Alexa.ģ) Naturalistic, organic and classic colours.Ĥ) Rich but not crushed shadows so that these LUTs can be used in low light scenes as well as broad daylight.ĥ) Commensurate exposure levels with the input footage that didn't shrink the dynamic range of the camera by blowing out the highlights and crushing the shadows and that didn't radically change the 'brightness' or 'darkness' of the footage one way or the other. This LUT pack was developed alongside Joel’s ARRI Amira over hundreds of hours of testing and side by side comparison footage.

Sony a7rii cinematic lut